sonnet I, 12 September 2008
an unexpected letter, with a cheque
sends her sprinting past cats in sardine cans
she leaves behind landlord, utilities bills
to find her dealer in the marketplace of dreams
he's always late. she waits to score a half
idly growing graffiti in a grimy alley
where new age angels argue grammar, grip gerunds,
concealed weapons in a war of attrition
a sneaky guerilla movement sends her sprawling.
she wakes at dawn, in mountains, by a lake
where beams of light carefully fold mist blankets
back into the packing case of night
and wisps of words, for sheer delight, entwine
and clear. to be closer, first she must die
sonnet II
a path less travelled leads through leaves of grass
she follows prints through dust along the lake
to a promontary; weeping women place a corpse
into a boat. she shoulders roughly through the crowd
and boards before it floats towards
the island in the middle, fog-enshrouded
the mirror surface gleams in razored lines
she leans, breathes in more than her fair share
becomes the first to see the wet white arm
lift out and catch the sword, then disappear
as the boat grounds; she soars above
the castle stones, magician's prison cave
the elemental battle skirmish pause. horses
of the sun beat nearer. still she soars
sonnet III
fire roars, she melts, hesitates, tumbles
in fall, comes back to herself flat on a floor
one leg in the air, in the Musee des Beaux Arts
beneath a Breughels, unnoticed. tourists come and go
she stands, aware of a je ne sais quoi in the air
horse chestnuts spring in Paris, passion everywhere
pulling. in a blink she's at the zinc of the Deux Magots
drinking absinthe, measuring time by a pile of saucers
watches a pool-playing dwarf dance with poules
between shots; an artist draws the four card-players
at a nearby table. pictures are taken from walls
by a large woman with a wooden mask face
whose companion offers her a cookie; familiar taste
of underworld food. ravenous, she requests more
sonnet IV
the Moor, in desert robes, regards her quizzically
behind him, past the ruined face, sands stretch
towards eternity. she looks on, and despairs
of time and place, unearned grace, and mounts
his camel; they soon arrive at the soukh
of the Sheiks' camp, where dark-eyed houris
scatter poppy petals, pluck on dulcimers
murmuring words unheard but understood
the tinkle of the decorated gauzes blends
with goat bells as she bends towards
nargileh's mouthpiece, breathes in deep
enchantment into sleep, unchartered
on dark desert's blazing blanket sky; stars wander
at will, obeying ancient laws unwritten still
sonnet V
the carpet undulates under her, soon
flies smoothly through the desert air
two sisters sit and chatter, from their stories
build jewelled worlds on kernels of harsh truth
death pauses in his duties, allows beauty
to wing amongst the parliament of birds
dark velvet sky is sundered by explosions
as dawn releases sleep from Dardenelles
and the Bosphorus blows up. the carpet tumbles
down into the trenches of a hell supposed
to end all wars. she lands among the children
toys in a grown-up game, with them stands in line
recieves the sacrament daily dispensed
morphine, cocaine and rum for wine and bread
sonnet VI
dark here in the depths of trenches
where unafraid, rats gnaw on exposed bones
the layers show the sediment of war, provide
ghastly shelter for survivors who huddle alone
against the arms of comrades. death cuddles life
the only real enemy here. knife blades of time
slice many threads at once. disease comes with sun
as flies arrive, thrive on rats' leavings
she slips into sleep, undisturbed by heaving
earth as morning mortars land, her dreams
peopled by ghosts of enemies and friends
who rest together, bones entwined, building
a common dust. all living things must
come to this. red poppies grow from reddened soil
sonnet VII
the petals drop, their cycle done. she wakes to sun
and surf on a deserted shore. a sole footprint
in the sand points to a rough camp, where sit
in earnest conversation, sufi sage and castaway
so engrossed they don't notice her, construct
with words, worlds that may discover god, or not
where learning, knowledge, count for less
than close attention to the quest, the journey
that each steps alone and cannot know the end
the sage is calm, but her thoughts, dervish, spin
intoxicated by the glimpse through earthly veil of
some bright magnificence, the very drive of life
a vision of light, transmitted down through centuries.
she blinks. City Lights Bookshop. bell rings, she enters
sonnet VIII
where a poet in a poncho eats stew from a spoon
where another howls at the city, the world, hurls words
like weapons, where weathermen dare predict
change, where lava and ash from poetry eruptions
scatter in the fireplace, and a sweet hippy Zen
bongo defines silence, turned on, tuned in, cooled
the women are young and beautiful, dark eyes, long hair
like gypsies, elemental angels, erotic violinists, artists
men bristle anarchy and dreams, weave solutions
from LSD enlightenment, or jerk and sniff and scratch
retire to the cracked porcelain safety of nirvana
in the bathroom where the vortex is a maelstrom
incense, candles, sitar music, patchouli and musk
her kind of place. it's dusk. the lights come on
sonnet IX
she doesn't see much connection between poverty
and the refinement of poetry
in addition to material poverty
there's spiritual sterility, too
Tu Fu's straw hut was a big house
in a garden that takes minutes to walk across
he didn't starve to death
that was a sentimental invention
in the garbage bins of the wealthy
good food lies rotting as waste
beside them, the poor
lie frozen in death
hungry, she becomes like him
a flesh canoe, floating, adrift
sonnet X
and awoke in prairie meadow
sudden in an evening twilight
where the lilies and the mosses
grow beside the shining water
she can hear the river breathing
through the singing of the people
and the music seems to shimmer
with the pulsing of the starshine
words of wonder whisper pine trees
as the moon comes up in liquid
in the moonlight she is dancing
with the shadow of a hero
and the pipe of peace is passed on
but the peace remains there with them
sonnet XI
as if sleep-walking, she has risen
in the golden dawn and gone on
to another lake placed island
where peace drops slow. between
bean rows the drowsy bee-song soothes
and different birdsong decorates the glade
the small cabin beckons, she steps inside
into a pentagram before a banked fire
and feels the power of older gods, unchanged
through time, lap like lake water
through her, down deep to her heart's core
she pauses here regaining strength
until the purple haze of moon recalls her
to her search, and with regret she goes
sonnet XII
she is in a crowd on a platform
the train started, stopped, all is confusion
a woman screams, a stretcher passes
with a light burden. she recognises Anna
she is in a village store. the door bursts open
a man, mad with grief, screams 'Emma!'
she is by a stream, as if dreams
all were water. here, in peace, Ophelia
beside a river, watcing the sad woman
make sure of rocks, calls 'no, Virginia!'
too late, outside a London flat
to turn off gas. where is Sylvia?
in a silken bed beside a man
who loves her, reaches for his Desdemona
sonnet XIII
darkness clears, she sees again
she is on a beach. lovers, entwined
in primal harmony move as waves before her
she pauses in awe of this unexpected beauty
startled, they turn towards her, dark megaliths
more totem than person, their eyes are questions
for which she has no answer. from his chest
extends a giant phallus, potent, glistening
and in his lover's chest she sees, uncomprehending
a fitting hole, pulsating still; through it
glimpses of another world in throes of creation.
trespasser on sacred soil, she slinks away
under nightmare trees whose spirits mock
one who would seek yet be afraid to see
sonnet XIV
she hears mermaids sifting wind through their hair
on golden riverbank sands; with the sound of feathers beating
everything turns around. like a circling wind, evening
settles fast and dim, distilled into whispers
muzzein calls in numinous ritual on the moon.
darkness sits on the marketplace. a riddle leads her
spiralling down to the central well. all it holds
is moon. she plants secrets in silence.
will sorrow feed her? she is trapped behind glass
a photograph to stare at until dawn breaks
on tigers with diamond eyes who turn into
hard gods of chaos and thunder, smell of burning hair
wounding day with acts of venegance. pain is alien
to the dead, acrobats of violence hungry for transformation.
sonnet XV
she wakes alert in her childhood room
familiar creaks of parent's bed next door
now known as love song, followed by silence
padding footsteps move towards the toilet
a stream, a flush, feet pad again, a final creak
as bed resettles, low murmurs, slow sound of sleep
around her the house is full of sleeping family
her eyes fill with tears - how simple it all seems
and how she struggled to be free of this
not knowing what she had; spent decades
in vain attempt to recreate this easy state
of belonging, having an assured and welcome place
the bedroom door swings open; her first cat
leaps to his usual place beside her, settles, purrs
Author notes
Being added to.
Comments
1 - 13 of 13
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This gave me an idea for a Crown of Sonnets. I must get started at once.
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Make that Sonnet Redoublé! My arrogance has no bounds.
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It is matched by your talent, troubador.
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Suddenly I have no self-worth -- damn you!
@};--,--
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I can't touch this one yet, but will one day after I print it out and consider it on a long trip.


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Im suu rprized you didn't respond to my first comment. Ru ru was the owl who warned Pania not to eat the food that would have prevented her returrning to the sea...
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Thank you for returning to read more of this. Pania is now a reef in Hawkes Bay, and at low tide she can be seen, holding up her arms towards the surface, maybe reaching for Karitoki? Only certain fish may be caught there, and only at certain times.
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Don't eat anything in sonnet nine-
Ruru -


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wow my head is spinning! this so great to read and so thought provoking. fabulous!


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Oh Pania . . . this is too brilliant to really comment on, except to say that I found myself being drawn into a world where the past and the present merge to form an historical kaleidoscope of images that are almost blinding in their vision, their scope . . .
Marc

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Thank you so much for your read and comment. I'm not sure where this poem is going, but I'm happy to be along on the ride. You'll have to come back and check again; I'm trying to pay tribute to some of the poems, poets, places, knowledge...all the things that got me this far.
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Let it go wherever it wants to go . . . I'm fascinated by what you are doing with this piece . . .
Marc
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